I do not paint what I see.
I build what remains after the seeing has dissolved.
My work is an act of reconstruction —
from memory, from erosion, from fragments of feeling.
I work in oil, pigment, fiber, and form.
Each surface I touch becomes a field of tension — between presence and absence, between clarity and collapse.
What I seek is not perfection, but the resonance that lingers after forgetting.
To remember is to distort.
To distort is to see more clearly.